Frankie Archer Newcastle Upon Tyne, UK
electrofolk 🪩🎻 pre-order Never So Red EP
Frankie Archer is fresh on the scene and shaking up genres
and traditions, sharing the lesser told sides of stories, championing women, challenging perspectives and calling for a fairer future, all to a unique mix of synths, manipulated samples, drum tracks and earthy Northumbrian fiddle and voice.
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supported by 10 fans who also own “Close the Coalhouse Door”
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supported by 10 fans who also own “Close the Coalhouse Door”
Dear Sam Sweeney, thank you for your hauntingly beautiful music. Please make this collection an 'LP' soon, Kind regards, BSuhr
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Bloody Noses EP
by Richard Thompson
supported by 9 fans who also own “Close the Coalhouse Door”
John Drumbo French from Captain Beefheart and The Magic Band worked with Thompson on two albums along with Fred Frith and Henry Kaiser. Those two French, Frith, Kaiser and Thompson albums led me to this. Also, Richard Thompson taught Hugh Cornwell (of The Stranglers) how to play the bass guitar in a band when they were both at the same school (Emil and The Detectives?). With a career spanning 50 years and playing with two of my heroes (French and Cornwell) Thompson has produced a fascinating EP.
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featured on Bandcamp Radio Jan 22, 2019
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Into the Depths of Hell
by Joshua Burnside
Joshua Burnside uses field recordings, drone, delay and spoken-word sample to modernize traditional Irish music.
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Collaborating remotely with 12 songwriters from all over the world, Kim Edgar emerged with a work of striking art pop.
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CONVERSATIONS WE'VE HAD BEFORE
by Eliza Carthy Trio
supported by 9 fans who also own “Close the Coalhouse Door”
Three of the most talented folk/roots/acoustic artists currently at the very top of their game. Spoiler alert; is Spanish Lady actually about Catherine of Aragon or have I been reading too much Hilary Mantel? *****
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